übermensch

july 25 - august 23, 2024

online exhibition

homework is proud to present Brigette Hoffman's online exhibition 'Übermensch.' The show features a collection of sculptures and paintings, along with a series of works on paper which we are making available exclusively to our mailing list.

The concept of the Übermensch, introduced by philosopher Friedrich Nietzsche, refers to an idealized individual who transcends conventional morality and societal norms to create their own values and purpose. This "superman" embodies self-mastery, creativity, and a life-affirming attitude, striving to realize their fullest potential and influence the world around them. Nietzsche's Übermensch is about going beyond the herd mentality and creating your own path, values, and purpose—it's the ultimate act of self-invention.

In the art world, this idea is like a rallying cry for artists to break free from conventions and push the boundaries of what art can be, tapping into raw, unfiltered creativity. Hoffman's work is deeply rooted in Faux Naive art, which she considers her true home within the art world. This style captivates her with its raw, unfiltered expression and ability to convey emotions and stories through simple forms and colors.

Faux Naive art captures a sense of childlike wonder and sincerity, allowing her to explore deep themes authentically and accessibly. Each piece she creates aims to celebrate the sense of wonder and innocence within her, focusing on what brings joy to her inner child, and keeping her art genuine and fulfilling.

A significant portion of her work stems from the concept of Home, which she views as more than just a physical space. It embodies an emotional sanctuary and a sense of belonging, symbolizing safety, identity, and personal history. Her work explores how the concept of home intertwines with larger, mystical realms and deeper layers of existence, particularly the quest for spiritual connection. This inner home represents a place of safety and identity that she carries within herself, regardless of location.

Her paintings often depict homes, neighborhoods, and parks within ephemeral panoramic landscapes. These images reflect the emotional and physical spaces that shape her sense of belonging and identity. Heavily inspired by primal art, symbolistic art, and train hopper symbolism, her work incorporates symbols that have become significant to her over time. The wheel, frequently appearing in her work, symbolizes home, cycles, and the idea of moving forward. The ladder represents a connection to the divine or higher realms, embodying ascension and spiritual elevation. Since the passing of her parents, she has delved deeper into these concepts, seeking to understand and connect with unseen dimensions intertwined with our reality.

Her sculptures emerge from a more left-brained approach, meticulously planned and thoughtfully executed, contrasting with the spontaneous nature of her paintings. Despite this difference, both mediums are interconnected. Her sculptures often depict figures or characters referred to as duendes—mystical creatures said to live secretly behind the walls of homes—or Omens. Unlike traditional folklore, her duendes and Omens are benevolent, embodying warmth and protective presence within the home, bridging the gap between structured and intuitive artistic expression.

Hoffman's creations serve as silent storytellers, inviting viewers to engage with their narratives. Her art explores themes of childhood imagination, the artist's exploration, and spirituality. Using a diverse range of materials and techniques, her installations offer surreal representations filled with raw symbolism.

-curated by homework

Visit Viewing Room